It's Almost Tomorrow:: Archive

““To me, at least in retrospect, the really interesting question is why...”

– DFW, The Pale King

May 17th

May 13th

1 note

The Biggest Price-Fixing Scandal Ever | Politics... →

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May 1st

Apr 30th

844 notes

Apr 25th

2 tags

On repeat for the last three days.

Mar 21st

Mar 19th

254 notes

The World Won't End →

The World Won’t End, a Sleeve.FM mix I’m Not Talking by A.C. Newman Shake Some Action by The Flamin’ Groovies Clinically Dead by Chad VanGaalen A Message To Pretty (Stereo Version) by Love I Was There by The War On Drugs Outside Love by Pink Mountaintops Time and Again by …And You Will Know Us By The Trail Of Dead A More Perfect Union by Titus Andronicus Just...

Mar 18th

1 note

2 tags

Seems like an appropriate day to share this...

Mar 18th

Magnolia Electric Co.: on the passing of jason... →

A sad day for those of us lucky enough to have heard his music… magnoliaelectricco: We are deeply saddened to announce that Jason Andrew Molina passed away in his home in Indianapolis this past Saturday, March 16th of natural causes at age 39. Jason was a world class musician, songwriter & recording artist. He was also a beloved friend. He first caught international attention...

Mar 18th

258 notes

For Sale, The SAAB Life →

I’m selling my Saab, and all that comes with owning one.

Mar 12th

1 note

Jan 31st

1 note

What Do You Think of Ted Williams Now - Biography... →

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Jan 24th

5 notes

Jan 22nd

Jan 8th

1,498 notes

Interview with Creative Director Dirk Barnett

 When Dirk Barnett joined our team at The New Republic a few months ago, he brought with him a vast experience designing for major publications, an impressive breadth of design knowledge and history, and a keen eye for fresh, original concepts. Our new logo—the creation of Dirk and his team—is a work of art unto itself. We sat down with Dirk this week and asked him a few questions about his design process and the creation of the new New Republic.
Interviewer: This is a big, bold logo. What made you decide to create such a forceful design?
Dirk Barnett: When Frank and Chris first brought me on board, there was a lot of conversation about balancing what The New Republic has been, and what it can be. While there were many logo iterations that delved into a more serif-based, elegant approach, in the end we decided to break out of The New Republic's heritage and create something fresh and new. We have one shot at stopping people at Hudson News, or the iTunes store, or in their Google Chrome browser, so we wanted a logo that stands tall, and demands a presence, without being too in-your-face. Given who we are and our 98-year history, there is definitely a level of authority and elegance you want to maintain, but also a need to bring it forward to hold the interest of our current readers, while attracting new ones.
Q: What impression do you want readers to walk away with after seeing the new logo?
DB: That we are a must-read brand. Obviously it goes beyond the logo to communicate that, but as soon as we designed our first covers with it, we knew we had something vital. And energetic! One of the underlying principles of our redesign philosophy is to bring a new level of energy to the brand. 
Q: How did you choose the font and colors? 
DB: As is always the case when creating a logo, I designed probably 50 variations with 15 different typefaces until settling on the final logo, using Antennae from Font Bureau. And one of the things that got us all excited was the fact that it bleeds nicely off the left and right sides of the cover. 
Q: The logo is only the first piece in a sea of broad changes to the design of the magazine; were there any particular resources you drew on repeatedly during the process?
DB: This redesign process was unique because we did everything backwards. Usually, the process starts with a logo, then the print edition, then the website, then the iPad. But this process started with the digital first. By the time I had joined the team, our impressive website design team, Hard Candy Shell, was already halfway through their work on the redesign of The New Republic website, and I quickly found inspiration in the work they were doing. They are a great team to collaborate with, and once I finalized the typefaces, they snapped perfectly into their site design. And I was continually thinking about iPad design from the beginning, so there are a lot of details that, while they look phenomenal in print, really come to life in our new app. But even with this fresh look, the 98-year history of the magazine cannot be ignored. My first few trips to The New Republic's D.C. offices were spent pouring through back issues. There are definitely some new design details in the redesign that owe their inspiration to those old magazines. And the first cover of The New Republic, from 1914, is a work of art. 
Q: How do you think the logo conveys the spirit of the magazine?
DB: The New Republic is about big, bold ideas, and the logo surely represents that. 
Q: The New Republic has a storied history nearly one hundred years long. What elements of past New Republic design work did you bring into the new design and what did you feel needed to be radically altered?
DB: The New Republic, beyond the amazing work [Art Consultant] Joe Heroun did on the covers, was never a visual magazine. It never had a full time creative director or an art department. It looked like a trade journal, and we simply turned that concept upside down, and made everything more visual and electric. But beyond merely making it look like a normal magazine, we will be doing things on a much more conceptual level to communicate ideas. Typography as a graphic tool will be in major play. We can't wait to share the new design.

Jan 8th

15 notes

2 tags

Listen

Dec 18th

Dec 6th

Nov 29th

214 notes

Diane Ravitch: Why I Changed My Mind About School... →

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Nov 16th

Nov 14th

Nov 8th

And the flag marked with blood, with the blood of... →

Nov 7th

11,217 notes

Nov 6th

1 note

Nov 5th

Nov 3rd

3,335 notes

Nov 2nd

Oct 31st

1 note

Oct 21st

1,606 notes

How Hilary Mantel Revitalized Historical Fiction :... →

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Oct 18th

Oct 17th

2 notes

Oct 17th

61 notes

Oct 15th

6 notes

2 tags

While We Were Dreaming, now on Spotify.

Oct 9th

Oct 2nd

61 notes

Oct 2nd

1,070 notes

While We Were Dreaming October, 2012 →

While We Were Dreaming , a Sleeve.FM mix October, 2012 A: Two For Joy by Electrelane Silver Springs by Lykke Li Here by Pavement Smothered in Hugs by The Flaming Lips April Come She Will by Paul Simon Kids Will Be Skeletons by Mogwai B: Baby Get Worse by Divine Fits While We Were Dreaming by Pink Mountaintops Indian Summer by Dean & Britta Storms by Matt Sweeney, Bonnie...

Oct 2nd

1 note